A childhood game that now seem like a precursor to meditation.
As a kid, long car rides in my family were a time of constant bickering, pinching, and tickling between my brothers and me. To keep themselves sane, my parents would separate us. Douglas, though the middle child, got the front seat, where he was less likely to get carsick and to puke. Or that was the theory. I often thought he faked it so he could keep that prime position between my parents. Donald, the oldest, got the back seats to himself. As the youngest, I got the far back of the station wagon, what we referred to as the way-way back. This was understood to be the worst place because there wasn’t enough room to sit up. In truth, I liked it because I could stretch out and sleep. Yet I always acted as if it were uncomfortable, collecting whatever points I could for my way-back martyrdom.
On February 22, 1999, John F. Simon, Jr. created the first drawing for a daily practice that continues to this day. He began with the intention of observing his unspoken rules for visual improvisation. A computer artist at the time, he hoped to define and code those rules into drawing software. He failed at that task, but in the process and over 5,000 drawings later, discovered something much more interesting
John F. Simon, Jr. is a visual artist and software programmer. He was born in Louisiana in 1963. His father was a lawyer, his mother a mathematician. Simon eared undergraduate degrees in Studio Art and Geology from Brown University, a Masters in Earth and Planetary Sciences from Washington University in St. Louis, and an MFA in Computer Art from the School of Visual Arts in New York.
His work can be found in the permanent collections of the Museum of Modern Art, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Brooklyn Museum of Art, the San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art. He helped design the world’s first app album for Björk, called Biophilia.
John F. Simon, Jr. and Martha Henry talked by phone.